"The Votive Art of 'Shadow of the Evening'"
The Metaphysical Allure of Etruscan Art
The statuette known as the "Shadow of the Evening" is housed in the Guarnacci Etruscan Museum in Volterra. The author of this remarkable work remains unknown. Dating back to the 3rd century BC, the sculpture was discovered by archaeologists in ancient Velathri, present-day Volterra. In 1737, Florentine scholar Anton Francesco Gori found this Etruscan statuette at the residence of the Buonarroti family in Florence. Later on, Mario Guarnacci, a noble prelate, acquired the artwork. Upon his death, Guarnacci donated the statuette and other pieces from his collection to the museum that now bears his name. The small sculpture depicts a nude, youthful male figure. Its arms and legs are exceptionally elongated and closely attached to the body. "Shadow of the Evening" is a votive statuette, created to honor the deities in the ancient Etruscan civilization. According to tradition, Italian poet Gabriele D'Annunzio coined the title "Shadow of the Evening" due to the slender form of the figure's body, reminiscent of shadows lengthening at sunset. However, some scholars argue that the title first appeared in 1954 in a Volterra guidebook written by Professor Paolo Ferrini.

Cellini signed his masterpiece on the belt of the hero but, if you turn around the statue and look at this nape you will notice his self-portrait!
In the Labyrinth of Time.
The slaves perfectly reveal how the artist worked: Michelangelo thought the sculpture was already living inside a block of marble.
Influenced by Florentine culture, he studied in Rome from 1510 to 1512, where he was inspired by Michelangelo and Raphael.