The Marzocco, the symbol

The Marzocco is the symbol of the Florentine Repubblic
Do you know why the Florentine Republic identify with a lion?


The name "Marzocco" carries the connotation of "Little Mars." Its origin traces back to the ancient Roman roots of Florence, established in the year 59 B.C. According to tradition, in the location of the Baptistery at Piazza S. Giovanni, there once stood a temple consecrated to Mars. Within its precincts, a statue of the deity was preserved. Eventually, this statue found a new home on Ponte Vecchio, where it stood guard over the city. Sadly, during the devastating flood of 1333, the statue was swept away. Interestingly, historical records cast doubt on the existence of this temple, for beneath the floor of the Baptistery, remnants of a Roman dwelling have been unearthed. An intricate mosaic decoration attested to the opulence of this Roman abode.

The most renowned depiction of the Marzocco was crafted by Donatello in the year 1418. Today, this masterpiece resides within the hallowed halls of the National Bargello Museum. However, a faithful replica graces the expanse of Piazza Signoria. In this representation, a noble lion extends its paw atop the emblem of Florence: a red lily embellishing a pristine white background.

In the heart of the 14th century, behind Piazza Signoria, a cage housing a collection of lions served as a protective enclosure for the city's priors, the esteemed representatives of the Florentine government.

Notably, the bronze rendition of this majestic beast also adorns the summit of the Priors' Palace Tower, erected by the skilled hands of Arnolfo di Cambio in the year 1310. As the Florentine adage goes, "Se il lione piscia in Arno è acqua," signifying that if the wind carries the lion's gaze towards the Arno River, and it relieves itself therein, rain shall soon follow!

A copy of the Marzocco in Piazza Signoria (left)The bronze emblem of Florence situated at the top of Palazzo Vecchio (right) 
Altri articoli
Anna Maria Luisa and the Family Pact
Anna Maria Luisa and the Family Pact

Thanks to this astute decision, Florence has preserved much of its extraordinary artistic, historical, and cultural heritage virtually intact.

Two particolar details
Two particolar details

Giorgio Vasari and Giovanni Stradano painted the "Arrival of the Pope In Florence" between 1555-1562.

What are these two men
What are these two men

Even the genius Leonardo studied it and reproduced wooden models of the machines Brunelleschi employed to move the material he needed!

Florence Feasts S. John Baptist
Florence Feasts S. John Baptist

The last match of the traditional football game will be held In the afternoon at 5.00 p.m. in Piazza Santa Croce